Written music specifies to the musician(s):
Which pitches to perform (indicated by notes), and when not to perform (indicated
by rests)
When to perform notes and rests, indicated by horizontal placement on the
stave and
How long to sustain each note or rest.
PITCH (Which notes to perform) notation is vertical (up and down).
How long to sustain each note or rest (Length) is indicated within the individual
symbols.
Here is a slightly different drawing of the music graph. In this case, there is a "pitch line" and a "time line".
TIME in music (musical time) is measured much like conventional time.
With conventional time we use periods like the week, day, hour, minute and second.
However, unlike conventional time, musical time is based on even divisions -
that is, each division of time is 1/2 of another division of musical time.
(In conventional time, a day is 1/7 of a week, not 1/2 of a week; an hour is
1/24 of a day, not 1/2 of a day etc.)
The relationship between musical time and conventional time is called tempo.
Tempo describes the speed of the music, often express as:
How many units of musical time occur within a specified amount of conventional
time.
TIME in music (or just TIME) uses symbols representing whole units (whole notes
and whole rests),
and divisions of whole units (half notes, half rests, quarter notes, quarter
rests, eight notes and so on).
Where these notes and rests are placed on the stave horizontally, indicates
when the note and rests are to be performed.
Below is a stave with a "time line" showing equal and even divisions
of whole units of time, represented here by integers (1.2.3.4.5...).
Whole units of time may occur at the rate of just a few per minute (seldom much
less than 20) to several per minute (not often more than 60). However, music
is rarely read in whole units, but rather in smaller divisions of whole units.
When whole units are divided, it is into equal and even divisions. 1/2 , 1/4,
1/8, 1/16 etc.
Below is a "time line" showing whole units and divisions of eight
(8) equal and even parts.
Musical notation uses measures to assist the reader. The term 'measure' is appropriate,
because it measures a specific amount of (musical) TIME. Measures are separated
by measure lines. Measures are also referred to as bars, and measure lines are
are also referred to as bar lines. Below are a few measures, each of which will
"contain" one whole unit of TIME when appropriate symbols are placed upon it.
Not all measures contain whole units of TIME. For example, below are a few measures,
each of which will contain 3/4 of one whole unit of TIME when appropriate symbols
are placed upon it.
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The top number (X) of the time signature will most often be:
2,3,4,6,9 or 12 - However 1,5,7 and 11 are also used.
Not so common will be numbers higher than 12.
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The bottom number (Y) of the time signature (beat) will, with rare exception,
be:
2 (one half of one whole unit of time)
or
4 (one quarter of one whole unit of time)
or
8 (one eighth of one whole unit of time)
Time signatures are not necessarily expressed using the "lowest
common denominator", a common practice in mathematics.
Which bottom number (2, 4 or 8) is used to represent the beat, significantly
effects the notation of the music.
For example: Although 6/8=3/4 is a true mathematical equation, there is a
quite a difference between music written using the time signature 3/4 and
music written using the time signature 6/8. Other examples of time signatures
that are mathematical equivalents but are not used interchangeably: 2/4 and
1/2; 4/4 and 2/2; 12/8 and 6/4 and 3/2.
A time signature is said to be "established" when it is placed at the beginning
of a measure.
When a time signature is established, the following measures are of the same
time signature, until another time signature is established.
Below is a stave with five measures of 4/4 TIME. The time signature is established
in the first measure.
In 4/4 TIME, each measure will contain one whole unit of TIME (when note and
rest symbols are placed on it.)
This is not necessarily the case with other time signatures; not all measures
contain one whole unit of time in other time signatures.
5) Notes & Rests, TIME and beats, Sustain
(Length) and beats,
Spacing, More Time Signatures, Ties and Dots, More Notes
and Rests
Copyright © 2001 Dave Myers Music Services. All Rights Reserved.